In Chinese mythology, Nüwa is a Chinese mythological character best known for creating and reproducing people after a great calamity. Some scholars suggest that the female Nuwa was the first creative Chinese deity, appropriate for ancient Chinese matriarchal society, in which childbirth was seen to be a miraculous occurrence, not requiring the participation of the male. The earliest myths represent Nuwa as a female in a procreative role; in later stories Nuwa has a husband/brother named Fuxi, who assumes primary importance. In ancient art, Nuwa is often depicted with a snake body and a human head.
According to myth, Nuwa shaped the first human beings out of yellow clay, then grew tired, dipped a rope into the mud and swung it around. The blobs of mud that fell from the rope became common people, while the handcrafted ones became the nobility. Another myth recounts how Nuwa saved mankind from terrible flooding and destruction.
In Chinese mythology, Nüwa was a mythological character, generally represented as a female. (Other later traditions attribute this creation myth to either Pangu or Yu Huang.) Nüwa appears in many Chinese myths, performing various roles as a wife, sister, man, tribal leader (or even emperor), creator, or maintainer. Most myths present Nüwa as female in a procreative role, creating and reproducing people after a great calamity. Nuwa is also associated with a deluge myth, in which the water god Gong Gong smashed his head against Mount Buzhou (不周山), a pillar holding up the sky, collapsing it and causing great floods and suffering among the people.
The earliest literary reference to Nuwa, in Liezi (列子) by Lie Yukou (列圄寇, 475 – 221 B.C.E.), describes Nüwa repairing the heavens after a great flood, and states that Nüwa molded the first people out of clay. The name “Nuwa” first appears in “Elegies of Chu” (楚辞, or Chuci), chapter 3: “Asking Heaven” by Qu Yuan (屈原, 340 – 278 B.C.E.), in another account of Nuwa molding figures from the yellow earth, and giving them life and the ability to bear children. Demons then fought and broke the pillars of the Heavens, and Nüwa worked unceasingly to repair the damage, melting down the five-colored stones to mend the Heavens.
Some scholars suggest that the female Nuwa was the first creative Chinese deity. Ancient Chinese society was matriarchal and primitive. Childbirth was seen to be a miraculous occurrence, not requiring the participation of the male, and children only knew their mothers. As the reproductive process became better understood, ancient Chinese society moved towards a patriarchal system and the male ancestral deity, Fu Xi, assumed primary importance.
By the Han Dynasty (206 – 220 C.E.), Nuwa was described in literature with her husband Fuxi as the first of the Three August Ones and Five Emperors, and they were often called the “parents of humankind.” In the earliest Chinese dictionary, Shuowen Jiezi (說文解字), by Xu Shen (58 – 147 C.E.), Nüwa is said to have been both the sister and the wife of Fuxi. However, paintings depicting them joined as half people, half snake or dragon, date as far back as the Warring States period (fifth century B.C.E. to 220 B.C.E.). A stone tablet from the Han dynasty, dated 160 C.E., depicts Fu Hsi with Nüwa, who was both his wife and his sister.
Some of the minorities in South-Western China hail Nüwa as their goddess and some festivals, such as the ‘Water-Splashing Festival,’ are in part a tribute to her sacrifices. Nüwa is also the traditional divine goddess of the Miao people.
Nuwa is not considered a creator of the entire physical universe, but a creator and protector of animals and people. It is said that Nüwa existed in the beginning of the world. The earth was a beautiful place with blossoming trees and flowers, and full of animals, birds, fish and all living creatures. But as she wandered about it Nüwa felt very lonely, so she began to create animals. On the first day she created chickens. On the second day she created dogs. On the third day she created sheep. On the fourth day she created pigs. On the fifth day she created cows. On the sixth day she created horses. On the seventh day, she bent down and took up a handful of yellow clay, mixed it with water and molded a figure in her likeness. As she worked, the figure came alive – the first human being. Nüwa was pleased with her creation and went on making more figures of both men and women. They danced around her, and her loneliness was dispelled. She created hundreds of figures, but grew tired of the laborious process. Then she dipped a rope in the clay mud, and swung it around her. Soon the earth around her was covered with lumps of mud. The handmade figurines became the wealthy and the noble; those that arose from the splashes of mud were the poor and the common. A variation on this story relates that some of the figures melted in the rain as Nüwa was waiting for them to dry, and that in this way sickness and physical abnormalities came into existence.
There was a quarrel between two of the more powerful gods, Gong Gong, the God of Water and Zhu Rong, the God of Fire, and they decided to settle it with a fight. They fought all the way from heaven to earth, wreaking havoc everywhere. When the God of Water Gong Gong saw that he was losing, he smashed his head against Mount Buzhou (不周山), a mythical peak supposed to be northwest of the Kunlun range in southern Xinjiang which was said to be a pillar holding up the sky. The pillar collapsed, half the sky fell in, the earth cracked open, forests went up in flames, flood waters sprouted from beneath the earth and dragons, snakes and fierce animals leaped out at the people. Many people were drowned and more were burned or devoured.
Nüwa was grieved that mankind which she had created should undergo such suffering. She decided to mend the sky and end this catastrophe. She melted together the five colored stones and with the molten mixture patched up the sky. Then she killed a giant turtle and used its four legs as four pillars to support the fallen part of the sky. She caught and killed a dragon and this scared the other beasts away from the land of Qi. Then she gathered and burned a huge quantity of reeds and with the ashes stopped the flood from spreading, so that the people could live happily again.
The only trace left of the disaster, the legend says, was that the sky slanted to the northwest and the earth to the southeast, and so, since then, the sun, the moon and all the stars turn towards the west and all the rivers run southeast. Other versions of the story describe Nüwa going up to heaven and filling the gap with her body (half human half serpent) and thus stopping the flood. Because of this legend, some of the minorities in South-Western China hail Nüwa as their goddess and festivals such as the ‘Water-Splashing Festival’ are, in part, a tribute to her sacrifices.
Nüwa and other traditions
The Nüwa flood stories share common elements with other global deluge traditions, such as:
- global flood or calamity (Gong Gongs destruction)
- destruction of humanity and animals (explicitly described)
- select pair survives calamity (Fuxi & Nuwa in most Chinese versions)
- select pair survives in a boat or gourd (Zhuang version)
- similarity of names (Nuwa, Noah, Nu, Manu, Oannes, etc.)
- rebuilding humanity after devastation(explicitly described)
- colorful heavenly object (5 colored pillar, rainbow)
Similarly, aspects of the Nuwa creation myths, such as the creation of humans from mud, the Fuxi-Nuwa brother-sister pair, the half-snake element, and survival of a flood, resemble creation myths from other cultures. Nuwa and Fuxi resemble the Japanese brother-and-sister deities Amaterasu and Susanoo.